Wednesday, May 28, 2008

Boxing match

This won't mean much to those of you who haven't read as far as I have (just over half of the book) but Max's imagined boxing match is one of the most powerful things I've read in a long time. You'll see.

I'm going to re-start the nominations for Book 3, starting with Atlas Shrugged and People of the Book.

Pam

3 comments:

Anonymous said...

I couldn't agree more. Also the entire chapter about 1942 -- horrifying, yes; but also very moving as seen from Death's perspective:
"It was a year for the ages, like 79, like 1346, to name just a few. Forget the scythe, Goddamn it, I needed a broom or a mop. And I needed a vacation."
And later:
"They keep triggering inside me. They harass my memory. I see them tall in their heaps, all mounted on top of each other. There is air like plastic, a horizon like setting glue. There are skies manufactured by people, punctured and leaking, and there are soft, coal-colored clouds, beating like black hearts.
And then.
There is death.
Making his way through all of it.
On the surface: unflappable, unwavering.
Below: unnerved, untied, and undone."

The relationship between Liesel and Max is extraordinary, especially the snow incident and Max's subsequent illness.

I am on page 349 and understand even less why this is billed as a "young adult" book. Anyone?

Gotta try to get some sleep -- it's 3:28am (hope I've been coherent). I have yet another sinus infection and bronchitis and no voice. Poor me.
Paula

one of us said...

Paula,
I'm just slightly ahead of you. And I stayed up until close to 3 AM also so this book has me in its grip, which as I said before is why I read fiction: I LOVE to be in a book's grip. This book has the obvious downside of being true, basically, and horrifying. But we're not learning anything new I guess, we're just getting a perspective that's new. I had to re-read several times one particular passage by "Death" in which he/she/it mentions having a moment of serenity. It humanized Death just a little too much. Then I thought: well, Death is just following orders from some Human and is neutral in all of this. Right? Maybe?

About the "young adult" categorization: I suspect that kids can handle more sophistication and complexity than we give them credit for. And I don't think they need to "get" it all. What they do get is powerful stuff, especially if you're a kid who doesn't have much knowledge about Germany in the 30s/40s. We grew up with that knowledge in the forefronts of our brains. Isn't it amazing to think that when we were starting elementary school the Holocaust was not yet a decade in the past. It wasn't history; it was more like last year's news....

Hope to finish today. Probably won't.
Pam

Anonymous said...

Pam,
I think you're right that young adults can handle more than we give them credit for. I remember reading several of the Holocaust books way before I was a young adult. My mother asked me to wait until I was in sixth grade to read Exodus, Mila 18, and Babiyar (which had the biggest impact on me at that time). I guess what's surprising to me is that The Book Thief is not being marketed to the adult market also.

I kind of like thinking that Death is not evil but is just taking care of what "he" needs to do. In this portrayal, I note, Death is not "taking" the life, just collecting the souls after they have left the body -- not how we are used to thinking of Death personified.

I will probably finish it in the next day or two and then maybe we can discuss it in more detail. I am so happy we're reading it.
Paula
P.S. I am so history-challenged that I had to look up what awful events took place in 79 and 1346!